Ordina e fai consegnare Disponibili online Tempi di consegna 3-5 giorni lavorativi
- Codice prodotto: AKIT00000087
A 2 day workshop which will examine how to pitch ideas and proposals to magazine editors. Covering all aspects of the creation of personal projects, from coming up with original ideas to writing synopses and collaborating with writers, this course will aim to explore what makes a successful photo-story and will look at how photo-stories and projects get from concept to publication in a magazine.
Caroline Hunter BIO: Caroline Hunter is a picture editor for The Guardian Weekend magazine, the award-winning Saturday supplement to the Guardian newspaper. She regularly commissions photography from around the world, from conceptual images to celebrity, portraits, still-life and documentary photography.
Caroline has 20 years experience of commissioning photography and reviewing photo-essays, proposals and projects, for publication. She has previously worked for a number of different publications including The Telegraph Magazine and Time Out London.
Caroline has given talks on photography and is regularly invited to review portfolios at leading photo-festivals. Caroline has acted as a judge for a number of international photography competitions including Portrait of Britain, LensCulture Street Photography awards, PDN Photo Annual and PhotoLucida/Critical Mass awards. In 2017, she was invited to be a nominator for the Deutsche Borse photography prize, and was a TV judge for the second series of Sky Arts’ Master of Photography.
|staff e docenti:||Caroline Hunter|
9:30 Meet and greet and class introductions
10:00 Presentation of published photo-stories, through pitches, to explore why they were successful
Discussion on what makes a good photo-story.
What are the key elements needed for a good photo-story ? And what are the different ways of pitiching ?
13:00 Lunch break
14:00 Discussion with Marco Casino - detailed look at his projects, and his approaches to pitching, including working with writers and
finding a story within a story
15:00 General discussion on working with writers
What are the advantages and disadvantages of working with a writer ?
16:00 Writing Synopses
What does a good synopsis need ?
Authorship - making photo-stories authentically yours.
The difference between pitching a portrait or documentary series and a photojournalism project.
Students will write a synopsis for an individual project.
18:00 End of day1 class
9:30 Brief overview.
10:00 Presentation of unsuccessful photo-stories.
11:00 Different types of publications and their different requirements: (eg. Weekly magazines, Monthly magazines, Online)
How to edit effectively to tailor your project to different publications, to sell photo-stories more than once.
12:00 The role of social media
13:00 Lunch break
14:00 Negotiating fees
15:00 Using Agents
16:00 A detailed look at the photo-stories and projects by students. Students get a chance to view and discuss each other's work and their different approaches to storytelling.
18:00 End of day2 class